Ángela. A Woman of Clay is a feature-length documentary that reconstructs the life and literary legacy of Ángela Figuera Aymerich (1902–1984), one of the most powerful poetic voices of postwar Spain, long marginalized within the official literary canon.
 The film is structured as a journey. A small film crew sets out from Bilbao, Ángela’s birthplace, and travels through the physical and symbolic spaces that shaped her life and work: Madrid, Soria, Cartagena, Asturias. Each location activates a layer of memory, linking biography, historical context, and poetic creation.
 Through interviews with scholars, writers, editors, and people close to the poet, the film traces Ángela’s personal and artistic evolution: her early education and university studies; her work as a teacher during the Second Republic; the trauma of the Civil War; the loss of her profession due to Francoist repression; her late entry into publishing; and the consolidation of a poetic voice deeply committed to social justice, antifascism, feminism, and the dignity of working-class life.
 Poetry is not treated as an illustrative element but as a narrative force. Poems are read aloud and woven into the structure of the film, dialoguing with landscapes, archival images, and contemporary reflections. The film pays special attention to key books such as Mujer de barro, Soria pura, Vencida por el ángel, El grito inútil, and Belleza cruel, situating them within both their historical moment and their present-day relevance.
 A secondary metacinematic layer reveals the filmmaking process itself: the crew on the road, shared conversations, pauses, and moments of uncertainty. This layer does not dominate the narrative but subtly emphasizes that memory is not fixed—it is something built, recovered, and questioned from the present.
 The final part of the film focuses on Ángela’s later years, her gradual disappearance from literary circles, and the intimate legacy preserved by her family. The documentary closes by confronting the paradox of her work: widely respected in her time, yet later forgotten, and now urgently reclaimed.
 Ángela. A Woman of Clay is both a portrait and an act of restitution, restoring a voice that speaks powerfully to contemporary debates on gender, memory, and cultural transmission.